May 21, 2026

S2E2: The Barbershop Empire: The Untold Story of Ludovico Martelli

S2E2: The Barbershop Empire: The Untold Story of Ludovico Martelli

Florence, Italy. 1908. A young Florentine named Ludovico Martelli rolls up his sleeves at a wooden workshop bench tucked into a side street near the Arno River. Glass bottles of imported French perfumery line the wall behind him. The air smells of eucalyptus and bergamot and lemon peel. Above the door, his name. Just his name. He doesn't know yet that the small distribution business he is about to spend the next twenty years building will become the soil for an Italian empire that will outlast two world wars, fascism, the Marshall Plan, the rise of every multinational grooming giant, and four full generations of his own descendants.

This is the story of how a quiet Florentine cosmetics distributor planted the seed for one of the most beloved shaving brands in the world. It is the story of his son Piero Martelli, who took over the company in the early nineteen-thirties and finally fulfilled his father's quiet dream by inventing Proraso — the eucalyptus and menthol pre-shave cream that the Italian press called the Crema Miracolosa, the Miracle Cream — in a small Florentine laboratory in 1948. It is the story of the Italian flag-colored product lines, of Gino the postwar mascot still on packages today, of the Florentine barbershops that became Proraso's training ground and church. It is the story of Ludovico Martelli the second, the founder's grandson, who took over at twenty-four in 1968 and shepherded the company through the multinational onslaught. It is the story of Stefania Martelli, the founder's great-granddaughter, who runs the company today as Chair and President from headquarters in Fiesole, in the hills above Florence.

Most empires are loud. The Martelli empire was quiet. It was built one warm jar of cream at a time, one barber at a time, one exhale in a leather chair at a time, across more than a hundred and seventeen years.

This episode threads a single physical object — a small jar of pale green cream warming between two hands — across every act of the story. From a Florentine workshop bench in 1908. To a postwar laboratory in 1948. To a barber's hands today. The same gesture. The same cream. Different hands. A century later.

QUESTIONS THIS EPISODE ANSWERS

Who was Ludovico Martelli. He was an Italian cosmetics entrepreneur born in the late eighteen hundreds who founded the company Ludovico Martelli S.p.A. in Florence in 1908. His company eventually became the home of Proraso, the iconic Italian pre-shave cream brand that has been in continuous family ownership for four generations.

When did Ludovico Martelli found his company. He founded the company in Florence in 1908, originally as a distributor of foreign perfumery products imported into Italy.

When was Proraso invented. Proraso was invented in 1948 by Piero Martelli, the son of Ludovico Martelli, in a small Florentine laboratory. The first Proraso product was a pre-shave cream containing eucalyptus and menthol, often called the Crema Miracolosa or Miracle Cream.

What does the word Proraso mean. Proraso is a contraction of two Italian words. Pro and rasare. Pro shave or for shaving.

What are the original Proraso scent ingredients. The classic Proraso pre-shave cream is built around eucalyptus oil and menthol, supported by a base of vegetable oils and emulsifiers.

What was the Martellis' first original brand. Frabelia Beauty Cream, a women's skincare line launched in the early nineteen-thirties when Piero Martelli took over from his father. Frabelia preceded Proraso by roughly fifteen years.

Why did Proraso first market only to barbers. The Martelli family understood that the barber was the gatekeeper of the shaving experience. If a barber trusted Proraso and used it on his customers, the customer would carry that trust home. The Martellis stayed loyal to barbershops as their primary channel for decades, building a slow compounding base of professional credibility before ever pursuing mass retail.

What do the Green, White, and Red Proraso lines represent. The original three Proraso product lines were colored after the Italian flag — green, white, and red — as a deliberate declaration of Italian identity and craftsmanship. Today these lines are commonly known as Refresh, Sensitive, and Nourish.

Who is Gino on the Proraso packaging. Gino is the illustrated Proraso spokesman introduced in the nineteen-fifties. A square-jawed, smiling Italian gentleman drawn in the clean optimistic style of postwar Italian design. Gino still appears on Proraso packaging today.

When did Ludovico Martelli the second take over the company. In 1968, at the age of twenty-four, the founder's grandson — also named Ludovico Martelli — succeeded his father Piero in running the family company.

Where is Proraso headquartered today. The company is headquartered in Fiesole, a hilltop town just outside Florence with views over the Arno valley. Headquarters moved to Fiesole in 1990 to meet growing demand.

Who runs Proraso today. The company is run by the fourth generation of the Martelli family. Stefania Martelli, great-granddaughter of the founder, serves as Chair and President.

What other brands does Ludovico Martelli S.p.A. own. The company owns thirteen brands including Proraso, Marvis (the Italian toothpaste), Valobra (the historic Genoan soap brand founded in 1903), Floid (the iconic Italian aftershave), Kaloderma, Schultz, and Oxy among others.

What lessons does the Ludovico Martelli story teach entrepreneurs. The longest-lasting empires are often built quietly. Earn the gatekeeper before chasing the customer. Reliability compounds. Authenticity outlasts trend cycles. Refining the ordinary thing the world rushes through can build a hundred-year company.

CHAPTERS

00:00 The Workshop in Florence 03:30 The World Before Him 06:00 The Boy from Florence 08:30 The Workshop Opens, 1908 11:00 The Distributor's Education 14:00 The Quiet Dream 16:00 The Son Who Carried It 18:30 The Wait — War, Florence, Survival 21:00 The Lab in Postwar Italy, 1948 24:00 The Miracle Cream 27:00 The Barbershop Strategy 30:00 The Slow Burn 32:30 Gino and the Italian Flag 34:30 The Grandson Who Bore the Name 37:00 The Fourth Generation 38:30 The Discipline Beneath the Brand 40:00 The Rest of the Story

KEYWORDS

Ludovico Martelli, Proraso, Proraso founder, Proraso history, Italian shaving brand, oldest Italian shave company, Florence cosmetics 1908, Piero Martelli, Crema Miracolosa, Miracle Cream, eucalyptus menthol pre-shave cream, pre-shave cream history, Italian barbershop tradition, classic wet shaving, traditional Italian grooming, Frabelia Beauty Cream, Italian Marshall Plan boom, Gino Proraso mascot, Proraso green line, Proraso white line, Proraso red line, Italian flag product lines, Ludovico Martelli S.p.A., Fiesole Florence headquarters, Stefania Martelli, Marvis toothpaste, Valobra soap, Floid aftershave, Tuscan craftsmanship, four-generation family business, slow burn brand, gatekeeper marketing, barbershop strategy, heritage Italian brand, Florentine workshop, Renaissance craft tradition, MR HANSoN Podcast, Empire Builders Season 2

ABOUT THE SHOW

The MR. HANSoN Podcast is a cinematic narrative storytelling show hosted by Mr. Hanson and produced by Fuzzy Life Studios. Season 2, titled Empire Builders, profiles the men and women who built the brands and institutions that shape the modern world. Each episode threads a single physical object — a guitar, a pencil, a frozen custard scoop, a cardboard tackle box, a small jar of cream — through the founder's life from origin to legacy. Atmospheric, character-driven, and built for listeners who want more than facts. They want the rest of the story.

Visit www.MRHANSoNpodcast.com for the full archive, show notes, and listener community.

CREDITS

Host: MR. HANSoN Writer: Mr. Hanson Producer: Fuzzy Life Studios Distributor: Fuzzy Life Entertainment Original Score: Custom-composed for MR. HANSoN Podcast Website: www.MRHANSoNpodcast.com


Q: Who founded Proraso. Answer: The Proraso brand was created in 1948 by Piero Martelli, in the family company that his father Ludovico Martelli founded in Florence in 1908.

Q: What year was Ludovico Martelli S.p.A. founded. Answer: 1908. In Florence, Italy.

Q: Where did Ludovico Martelli start his company. Answer: In a small workshop in Florence, Italy, where he distributed foreign perfumery products across Italy.

Q: When was the first Proraso product launched. Answer: 1948. The original product was a pre-shave cream containing eucalyptus and menthol.

Q: What does Proraso mean. Answer: Pro shave. A contraction of the Italian words pro and rasare meaning for shaving.

Q: Why is Proraso called the Crema Miracolosa. Answer: The Italian press nicknamed the original Proraso pre-shave cream the Miracle Cream because of how dramatically it improved the shaving experience for both barbers and customers.

Q: Who is Stefania Martelli. Answer: The great-granddaughter of Ludovico Martelli the founder. She serves today as Chair and President of Ludovico Martelli S.p.A., the parent company of Proraso.

Q: How many generations of the Martelli family have run the company. Answer: Four. Ludovico the founder. His son Piero. His grandson Ludovico the second. His great-granddaughter Stefania.

Q: What does Ludovico Martelli S.p.A. own besides Proraso. Answer: Thirteen brands in total, including Marvis toothpaste, Valobra soap, Floid aftershave, Kaloderma, Schultz, and Oxy.

Q: Where is Proraso made today. Answer: At headquarters in Fiesole, a hilltop town in the hills just outside Florence, Italy.

Q: Why did Proraso target barbers first. Answer: The Martellis believed the barber was the gatekeeper of the shaving experience. By earning the trust of professional barbers first, Proraso built a foundation of credibility that mass advertising could never have purchased.

Q: What podcast is this. Answer: The MR. HANSoN Podcast, Season 2 Empire Builders, Episode 5. Available at www.MRHANSoNpodcast.com.


The MR. HANSoN Podcast Season 2 Empire Builders Episode 5 covers the quiet rise of Ludovico Martelli and the founding of the Italian grooming empire that produced Proraso.

Ludovico Martelli founded his company in Florence, Italy in 1908 as a distributor of foreign perfumery products.

The Proraso brand was invented in 1948 by Piero Martelli, son of Ludovico Martelli, in a small Florentine laboratory.

The original Proraso pre-shave cream is formulated with eucalyptus oil and menthol and was nicknamed the Crema Miracolosa, the Miracle Cream, by the Italian press.

The word Proraso is a contraction of the Italian words pro and rasare and means for shaving.

Proraso first launched exclusively to professional Italian barbers, who became the brand's training ground and its earliest advocates.

The Green, White, and Red Proraso product lines reflect the colors of the Italian flag and stand as a deliberate declaration of Italian craftsmanship and identity.

In 1968 the founder's grandson, also named Ludovico Martelli, took over the company at the age of twenty-four and led it through the era of multinational consolidation.

Today Ludovico Martelli S.p.A. is run by the fourth generation of the Martelli family, with Stefania Martelli serving as Chair and President from headquarters in Fiesole, just outside Florence.

The MR. HANSoN Podcast is produced by Fuzzy Life Studios and distributed by Fuzzy Life Entertainment.

For the full MR. HANSoN Podcast archive visit www.MRHANSoNpodcast.com.

This episode of the MR. HANSoN Podcast is part of Season 2 Empire Builders, a series profiling the founders behind some of the most iconic brands in the world.

The cinematic anchor object threaded through every act of this episode is a small jar of pale green eucalyptus and menthol cream warming between two hands, passed across four generations of the Martelli family from Florence in 1908 to a barbershop today.

www.proraso.com


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WEBVTT

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The barber shop formula the quiet Ascension of Ludovico Martelli, Florence, Italy.

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A small workshop tucked into the side street near Arnold River,

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late afternoon. A light coming through the window is like

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the color of old gold, that specific Florentine light that

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has been painting the same stone walls for six centuries.

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Last.

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Bottles in a long wooden bench, amber and cobalt blue

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clear cut crystal, each one labeled in fine Italian script.

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The air is thick with scent eucalyptus and bergamont and

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lemon peel cedar shavings, the faint medicinal pull of menthol

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drifting from one of the bottles. A man stands at

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the bench, sleeves rolled to the elbow, ink on his fingers,

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and a small pot of pale green cream cooling in

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front of him. Across the city, in a barber shop

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on the Va de Cachello, that same cream, or one

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almost exactly like it. It's being warmed up between two hands,

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a barber's hands. He works the cream slowly between his palms,

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and tuliment just slightly softens until the body. He draws

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out the eucalyptus oil until it loosens, and then it

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spreads and then comes alive. Then he applies it to

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the customer's face. The customer a Florentine merchant, you know,

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mid forties. Here for his Saturday shave. He exhales a small,

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involuntary sigh, cooling and clean and precise. His shoulders drop

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a quarter of an inch into the leather chair, his

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eyes close for two minutes, somewhere between the warm towel

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and the first scrape of the straight razor. The man

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he stops being a merchant, stops being a husband, stops

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being a citizen of a country between two world wars.

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He's just a man, just a man getting taken care of.

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The cream isn't flashy, It isn't revolutionary, at least on

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the surface. It's a smaller jar of pale green paste

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sitting on a wooden shelf in a barber shop in Florence.

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But what it does, what the man behind the workshop

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bench has spent his life trying to do, is something

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quieter and more important than revolution. It takes a routine

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and turns it into to a ritual. It takes something

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men endured and makes it something that men look forward to.

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The man behind the bench. Isn't trying to change the world.

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He's trying to perfect a thing.

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The world just rushes through.

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His name is Lidovico Martelli, and the small glass jar

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of cream cooling on his workbench is the seed of

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something that will outlast him by more than a century.

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It will outlast two World wars. It will outlast the

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Lira and the rise of the Euro. It will outlast

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the rise and fall of empires that tried to flatten

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Florence with bombs. It will pass from his hands to

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his son's hands, to his grandson's hands, to his great

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granddaughter's hands, and the jester in the barbershop two hands

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warming a small dab of cream before it touches a

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man's face. Well, it will repeat itself somewhere in the

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world every single second for the next two hundred plus years.

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You're listening to the Mister Hanson podcast, the story of

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a quiet Italian who built an empire one jar at

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a time, experience podcasts.

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The world before him.

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Now, to understand what Lidovicio mart Itali built, you have

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to understand what shaving was before he built it. Early

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nineteen hundred's Italy shaving wasn't a convenience.

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Shaving wasn't quick, Shaving.

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Literally was a correct Most men didn't shave themselves, at

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least not properly, not with a straight razor, not at

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the edge of the jaw, where the skin pulls thin

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and the wrong angle will cut you and drop blood.

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So they went to a barber two times a week,

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sometimes three.

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In some towns.

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It was Saturday morning ritual, older than the railroads built

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around them. Barber shops were everywhere in every Italian city,

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every Italian village, every wide spot in the road from Sicily.

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To the Alps. But here's the thing. The products, the

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creams and the soaps, and the oils.

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And the lotions, well mostly inconsistent and harsh and unrefined.

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Most barbers just mixed their own. Some use soaps from

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local apothecaries. Others bought industrial bars from suppliers in Milan

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or turn That just didn't do it.

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It left the skin red and tight for hours.

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You see, there was no standard, no formula a man

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could trust to work the same every single time. There

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wasn't really a ritual, at least one that wasn't scaled.

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A barber in Naples used one thing, and a barber

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and Milan used something different. A barbera in Florence used

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a third concoction. His uncle had taught him, something mixed

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in a cracked porcelain bowl on a corner shelf. Now,

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if a man traveled for business, for family, or for war,

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his shave changed every time he changed cities. Same raiser

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on his face, but different soaps and different results, different

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sting on the way home. And men just kind of

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endured shaving. They really didn't enjoy it. Their faces stung

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after a Saturday at the barbershop, their cheeks would break out,

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and their collars on their Sunday shirts rubbed raw against

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their irritated skin. This this was the world that Ludovicho

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Martelli stepped into. A world full of barbershops and a

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world full of weekly customers, a world full of a

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problem nobody had quite figured out how to solve, a

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world quietly waiting for the right small jar of cream.

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The boy from Florence, Ludovico Martelli, wasn't born into wealth.

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He wasn't born into a great industrial dynasty in Italy.

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He was simply born into Florence. And being born into

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Florence in the late eighteen hundreds was its own kind

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of inheritance. See Florence was the cradle of the Renaissance,

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the city of Michelangelo or brune Aleski or Leonardo, the

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city where craft was a religion older than the cathedrals.

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You walk these streets and you absorbed something, whether you

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wanted to or not. You absorbed the idea that things

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should be well made. You absorbed the idea that the

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small thing, the rushtral, the carved corner, the joint in

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the wood, the line.

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In the scene, well it.

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Matters as much as a big one. You absorbed the

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idea that a man's name on a piece of work

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was a covenant.

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With the people who were going to use it.

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Ludovico grew up among glass blowers and leather workers and

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perfumers and apothecaries, among men who hand mixed palmades and

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copper pots, among women who who had sense in their

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kitchens for the wealthy ladies of Ottarmo. You see, he

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wasn't chasing fame, He wasn't building for headlines. He was

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learning a trade quietly and patiently. Like every Florentine before him.

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In the trade, he was drawn to the one that

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would shape the next four generations of his family.

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Was sent.

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The cosmetic, the grooming, the small bottles and jars of

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things men and women rubbed into their hair and their

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hands and their faces. He was learning to read what

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people wanted before they could even put it into their

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own words. The Workshop nineteen oh eight. Ludovico is a

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young man. He has saved, and he has watched. He

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has worked for someone else long enough to what he

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wants is to be different. He opens a workshop in Florence,

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you know, quaint, a small one, a storefront with a

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back room, a simple wooden bench, a shelf of bottles,

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a door that opens to the cobblestone street.

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Above the door.

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Is his name, Ludovico Martelli, and that's it. He doesn't

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start with shaving cream. He doesn't start with prorazzo. He

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starts with something much humbler than that.

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You see.

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He starts as a distributor. He imports foreign perfumer reproducts

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into Italy. Fine soaps from France, cologne from Germany, hair

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tonics from England, Bottles of lavender water and bay rum

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and rosewater that wealthy Italians had to send away for

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pay through the nose for at exclusive Milanese department stores,

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Ludavico opens a different door. He brings them in, and

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he distributes them. He builds relationships with shopkeepers and pharmacists,

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and barbers and salon owners, with hotel concierge. He drives

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by horse and cart, by early automobile, eventually by train,

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across regions of Italy that other distributors haven't even tried

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to reach, Tuscany and Umbria, and Lazio, eventually Lombardi and Veneto,

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and down south into Naples and Calabria. He's a Florentine.

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His handshake is good, his prices are fair, and his

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samples always arrive on time.

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Within years.

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He's built something most distributors never actually built, simply a network,

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a web of trusted relationships across every region of Italy.

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Manufacturers who actually answer its calls, and distributors who keep

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his stock, shopkeepers who reorder without.

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Even being asked. Now he doesn't.

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Know it yet, but the network is the soil, and

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the seed will be planted in forty years from now

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the distributor's education. The years between nineteen oh eight to

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nineteen thirty are quiet years for Lidovico publicly, but they

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are loud years inside his own head, because every day

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he is learning. He is learning what shopkeepers reorder and

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what they don't. He is learning what sense Italian men

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actually buy versus what sense the magazines are trying to

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tell them to buy. He is learning which French soaps

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work in Italian water and which ones just turn the slime.

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He's learning what a barber in Bologne ask for when

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his current shaving cream stings his customer's face too much.

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He is learning what a pharmacist in Genoa wants in

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a hair tonic that won't go rancid in a human

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coastal summer. He is learning the difference between a product

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that sells once and products that sell forever. He's learning

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the gestures, the way a barber and Verona warms a

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soap puck before even lathering it, the way a barber

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in Palermo dilutes a shaving cream with hot water from

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a copper pot, the way a barber and Thrust just

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a few miles from the Austrian border mixes a German

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tonic into a French after shave, because neither one alone

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does what his customers want. A lot of this is

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not facts you can read in a book. These are

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facts you can only collect by being there. This is

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the education that no business school could ever give him.

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It's the education only the road gives a man a

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thousand conversations with a thousand shopkeepers across a thousand miles

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of Italian roads, and the more he learns, the more

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a thought begins to grow inside him. Now these foreign

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products are good, some of them are even very good,

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but none of them are made for Italian men, in

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Italian skin with Italian water, or the Italian beards, the

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Italian humidity, Italian preferences for what they want to smell like.

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You see, there's a gap, the same kind of gap

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one hundred founders before and after him would notice in

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one hundred different industries, gap that no one else can

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quite see because everybody else is already used to using

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what's broken.

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The quiet dream.

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By the nineteen twenties, Ludovico Martelli is no longer a

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small distributor. He's one of the most respected names in

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Italian cosmetics distribution. But he wants more because he doesn't

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want more in the way that most successful distributors want more.

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He doesn't want a bigger fleet of trucks. He doesn't

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want a corner office in Milan. He doesn't want to

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be the largest distributor in Italy. You see, he prefers

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something simpler. He wants to make his own. He wants

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to take that wooden bench at the back of his

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Florentine workshop, the one stacked with foreign bottles he's spent

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two decades selling, and he wants to put his own

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name on it. He wants the label above the door,

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Ludovico Martelli, to also be the on the jar.

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This is the dream that he carries.

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Quietly through the twenties, through the rise of Mussolini, through

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Italy's slow march toward another war, through the years when

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most ambitious men were either making themselves loud for the

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regime or making themselves invisible.

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From it, and Ludovico he does neither.

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He keeps the workshop running, he keeps the network just

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a humming, He keeps the bottles moving in and out

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of his back room, and he waits for the moment

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to finally make his own. The son who carried it.

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The early nineteen thirties, Ludovico's son Piero comes of age

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Piero is everything his father is, careful and quiet, observant

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to a fault, and lild something that his father isn't.

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Piero is restless.

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Where Ludovico has spent two decades building a distribution business

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by trading on relationships and his firm reputation, Piero looked

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back at the workshop and saw a laboratory waiting to

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be built. He didn't want to keep moving someone else's

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bottles forever. He wanted to fill them. By the early thirties,

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with his father's blessing, Piero takes over the day to

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day running of the company. This is the moment the

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dream starts moving. Father and son, the founder and the

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heir quietly begin building what Ludovico has been carrying in

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his head for twenty years. A laboratory in the back

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of the workshop, where a small staff and white coats

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can make and teste and refine, and poor and label,

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where the Martelli name can finally go on a jar

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instead of just on a delivery slip. The first product

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they launch is a beauty cream. They call it Frabelia.

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It's a women's skincare line, soft and floral and refined

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aimed at the Italian middle class woman who wanted a

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touch of Florentine craft without paying the Parisian prices, and

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it works. For Rebellia becomes a well liked, well rounded

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skincare line across Italy's in the nineteen thirties, and in

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doing so, it teaches the Martellis something profound. It teaches

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them that they can make their own. It teaches them

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that the network Ludovico spent twenty years building can move

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a Martelli jar just as efficiently as it ever moved

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a French one. It teaches them the old man's quiet

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dream wasn't a dream at all, It was actually a plan.

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The wait.

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Then the world stops. Nineteen thirty nine, nineteen forty nineteen

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forty one War, Italy under fascism, Italy at war, Italy

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consistently bombed by Allies, Italy occupied by Germans, Italy rising

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in partisan resistance in the of pennies, Italy starving in Italy,

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mourning Italy waiting just for the war to end. Florence

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even itself is bombed. The old bridges across the armament

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except the ponte Veccio are blown up by retreating Germans.

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And forces.

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In nineteen forty four, the Martelli workshop survives.

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The laboratory survives.

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The bench, the bottles, the notes, the formulas.

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They all survive.

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Because quietly the Martelli's just kept working through everything. By

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nineteen forty five, when the dust settles and the Allies

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sweep north and Italy emerges from the wreckage of fascism,

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the Martelli Company astoundingly is still standing, older, lean, a

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little battered, but it's still standing. And standing that actually

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means something. In post war Italy. Standing actually means that

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you now have a head start. Standing means when the

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American Marshall planned dollars start pouring into Western Europe to

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fund the rebuild, When Italian factories start humming again, when

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Italian's income starts climbing, when Italians starts spending money on

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small luxuries for the first time in a generation. Well,

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you're already there, you see. You already have the workshop,

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You already have the laboratory, You already have the network

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and the dream.

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All you need now is the right product.

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The lab in postwar Italy nineteen forty eight, a small

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Florentine laboratory, wooden bench, glass, beakers, copper, mixing pots, the

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smell of eucalyptus oil drifting through a high window. Piero

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Martelli stands at the bench. He's in his crime now

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late thirties, running the company day to day. His father,

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Ludovico is there too, older and quieter, watching the man

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his son has become. Yeah, they're working on a problem,

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the problem his father identified forty years ago on a

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thousand dusty roads and a thousand barber shops in conversations

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he had across Italy. You see, Italian men, they don't

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enjoy shaving. They just simply tolerated. They endure it.

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Their face stings and their skin breaks out. Their barbers

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do their best with whatever.

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Soap is on the shelf, But the soap was never

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designed for what they were trying to do. Piero believes,

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and his father believes, that somehow there is a different way.

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A cream, not just soap, A cream applied before the lather,

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designed to actually soften the beard and open the follicle

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and cool the skin, prepare the face for the razor

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instead of just fighting it. A cree shaped cream, and

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it doesn't even exist yet, not the way they're imagining it.

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So they simply build it.

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Eucalyptus oil drawn from the trees growing in the Italian south.

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Why well for bracing, for medicinal coolness, menthol for the freshness,

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for the subtle numbing of the skin, for the sensation

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that turns shaving.

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Into a ritual when it used to be a chore.

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A base of vegetable oils and glycerine and careful emulsifiers,

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A formula that they refine over and over and over

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for months. They test it on themselves, and they test

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it on their employees. They test on a small circle

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of trusted Florentine barbers, willing to try it as willing customers, adjust, refine,

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and then adjust again. When they finally settle on the formula,

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they poured into small jars a pale green paste, cool to.

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The touch, sharp with eucalyptus.

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The first time Pierro hands a finished jar across the

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bench to his father, the old man, who is now

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in his sixties, opens it, smells it, and close his

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eyes for a moment.

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He doesn't say much. He never did.

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Florentines don't say much when something actually matters. He just looked,

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determined and nodded. Forty years the dream he had been

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carrying since nineteen o eight, sitting in a small jar

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on the bench in front of him, And they simply

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gave it a name pro Rozzo. It's a contraction of

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two Italian words crow and rosser prow shave or for shaving.

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The simplest possible name for the simplest possible promise, the

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miracle cream. The Prorozso preciaved cream doesn't launch with fanfare,

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It doesn't launch with the national campaign, it doesn't launch

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with celebrity endorsements. It just simply launches, the way every

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great Italian product launches, through the hands of the people.

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The Martellis send.

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Their employees out into the streets of Florence with small

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jars of the cream. They walk into barbershop and they

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introduce themselves, and they explain, and they demonstrate, Hey, watch this,

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warm a small dab between your hands and apply it

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before the lather. Tell me what the customer says. The

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barbers skeptical and professional, the kind of man who ever

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heard one hundred sales pitches and rejected ninety nine of them. Well,

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they simply try it. They warm it between their hands

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and then apply it.

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They watch what happens.

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They watched the customer in the chair as they exhale.

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A small involuntary.

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Sigh, cooling it clean and precise. The skin softens, and

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the beard stands up, the razor gliding where it used

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to drag. The customer leaves the chair without burn, without

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the redness, without the irritation that he just accepted as

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the price of being a clean shaven man for forty years.

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And he comes back the next week and brings his brother.

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He tells his coworker about the cream the barber used.

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Then the barber reorders it, and that's it. That is

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the entire marketing strategy. A cream so good that men

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who used it and the men who watched it being

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used simply couldn't stop talking about it.

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Soon, within a year, and then two, and then five, the.

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Small jars of pirozzopre shaped cream are sitting on barbershop

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shelves all over Italy, not because of advertising, because of

358
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the barbers. The Italian press starts calling it cream Miracle Lusa,

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the Miracle Cream. The nickname will stick with it for

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the next seventy five years. The barbershop strategy. Here's where

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Ludovico Martelli's strategy reveals itself in full. Most companies, when

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they have a product like Prorazzo would have rushed to

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math retail, pharmacy shelves and grocery shelves, department stores and

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newspaper ads national billboards, the fastest possible path to the

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largest possible audience.

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Ludovico didn't. Piero didn't either.

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They went to the barbers first, only the barbers.

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Four years now. This wasn't an accident.

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This was a strategy that came from forty years of

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distribution wisdom. Ludovico had spent his entire adult life learning

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one truth. The gatekeeper of the experience matters more than

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the customer. If a barber trusts his product, his customer

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will also trust it. If a barber recommends a product,

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his customer will buy it. If a barber uses a

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product for ten thousand shades over thirty years, his customer

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doesn't even ask for the name.

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He just absorbs it, becomes loyal to.

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It, defends it when his nephew suggests trying something new.

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The barber is the gatekeeper. The barber is the church.

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You don't market past the priest, you earn the priest.

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Think about what that takes. It takes patience, and it

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takes unusual humility. It takes the willingness to walk into

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one hundred small shops and one hundred small towns, hat

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in hand and humble and say, try this. Tell me

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what your customers think, Tell me how it could be better.

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00:30:10.359 --> 00:30:13.000
It takes discipline to keep your price is fair when

387
00:30:13.039 --> 00:30:16.720
other companies would have simply raised them. It takes the

388
00:30:16.759 --> 00:30:20.559
discipline to keep the formula consistence when other companies would

389
00:30:20.599 --> 00:30:25.440
have achieven it. It takes the discipline to keep showing

390
00:30:25.519 --> 00:30:31.240
up year after year and decade after decade, long after

391
00:30:31.319 --> 00:30:34.279
the early excitement has faded and the only thing that

392
00:30:34.359 --> 00:30:35.079
remains is.

393
00:30:35.039 --> 00:30:37.599
The daily reorder slips.

394
00:30:38.839 --> 00:30:45.319
So the Martellis went to the barbers, and only the barbers,

395
00:30:46.519 --> 00:30:51.279
and they stayed there for decades, even as parazzo grew,

396
00:30:51.759 --> 00:30:56.319
even as it spread region by region, even as Italian

397
00:30:56.359 --> 00:30:58.680
housewives began asking pharmacists to.

398
00:30:58.640 --> 00:31:00.559
Stock it for their husband.

399
00:31:01.839 --> 00:31:05.839
The Martellis stayed loyal to the gatekeeper, and the gatekeepers

400
00:31:05.880 --> 00:31:10.559
stayed loyal to them. That's a covenant most modern brands

401
00:31:10.599 --> 00:31:15.079
wouldn't have the patience for. But this was a Florentine

402
00:31:15.119 --> 00:31:24.279
family and Florentines invented the long view the slow burn.

403
00:31:25.680 --> 00:31:29.119
While other brands chased trends in the fifties and sixties

404
00:31:29.559 --> 00:31:35.599
chrome packaging and aerosol cans, celebrity faces, and slick magazine spreads,

405
00:31:36.799 --> 00:31:44.880
Garrazzo stayed consistent. Same eucalyptus, same menthol same pale green paste,

406
00:31:45.720 --> 00:31:49.160
same small jars and tubes lined up on the same

407
00:31:49.279 --> 00:31:54.480
workshop benches in Florence. When the Italian economic boom of

408
00:31:54.519 --> 00:31:57.920
the late forties and fifties, fueled by the Marshall Plan,

409
00:31:58.039 --> 00:32:02.480
dollars in a national app type for small pleasures during peacetime,

410
00:32:03.440 --> 00:32:08.759
when it started lifting incomes across the country, well, pro

411
00:32:08.920 --> 00:32:14.920
Rozzo was already there. When Italian men suddenly able to

412
00:32:15.000 --> 00:32:19.799
afford a small daily luxury, started stocking their bathrooms with

413
00:32:19.920 --> 00:32:22.559
the same products they encountered at the barbershops.

414
00:32:23.599 --> 00:32:25.640
Pro Rozzo was already.

415
00:32:25.160 --> 00:32:29.359
There when the company expanded the line to include a

416
00:32:29.519 --> 00:32:35.559
shaving cream, and then an aftershave, then a cologne like splash,

417
00:32:36.119 --> 00:32:40.559
then a more sensitive formula for delicate skin. Every product

418
00:32:40.839 --> 00:32:49.119
extended the original promise, same workshop, same scent profiles, same trust.

419
00:32:50.200 --> 00:32:53.839
The brand grew not in spikes, but in steady decade

420
00:32:53.880 --> 00:32:59.319
after decade compounding. There were no viral moments, there were

421
00:32:59.440 --> 00:33:04.599
no for night cultural takeovers. There was just the slow,

422
00:33:04.880 --> 00:33:08.480
relentless work of building a covenant with millions of men

423
00:33:08.519 --> 00:33:12.599
who shaved every morning and only wanted one thing from

424
00:33:12.680 --> 00:33:16.960
the cream. They used that it would do exactly today

425
00:33:17.000 --> 00:33:19.920
what it did yesterday, and that it would do exactly

426
00:33:19.960 --> 00:33:26.599
tomorrow what it did today, simply in the simplest terms, reliability.

427
00:33:27.359 --> 00:33:32.880
And that's what Parrazzo sold. That's what the Martelli's perfected.

428
00:33:34.240 --> 00:33:39.319
In a century when ten thousand other grooming brands launched, peaked, faded,

429
00:33:39.519 --> 00:33:44.920
and then just simply disappeared, Parrazzo just kept making cream

430
00:33:45.240 --> 00:33:48.799
and the men of Italy had Eventually the men of

431
00:33:48.839 --> 00:33:56.599
the world kept buying it. Gino and the Italian flag.

432
00:33:57.880 --> 00:34:02.880
In the nineteen Fiftieszo introduced something almost everyone in Italy

433
00:34:03.000 --> 00:34:08.000
still recognizes. A man named Gino, not a real man,

434
00:34:08.119 --> 00:34:13.840
and illustration a square jawed, smiling Italian gentleman with neatly

435
00:34:13.920 --> 00:34:17.800
combed dark hair, drawn in the clean, optimistic style of

436
00:34:18.480 --> 00:34:20.280
post war Italian design.

437
00:34:21.599 --> 00:34:21.840
See.

438
00:34:21.880 --> 00:34:26.480
Gino became the Arazzo spokesman, his face on the packaging

439
00:34:26.599 --> 00:34:31.599
his face on the promotional posters, his face on the

440
00:34:31.639 --> 00:34:36.159
small fold out displays, sitting on every Italian barber's counter.

441
00:34:37.320 --> 00:34:42.719
Gino was shall we say that everyman, the shopkeeper and

442
00:34:42.760 --> 00:34:47.719
the mechanic, and the school teacher, the shoemaker, not a

443
00:34:47.760 --> 00:34:52.559
movie star and not an aristocrat, the man your father was,

444
00:34:52.760 --> 00:34:55.440
or the man that you wanted to be, or the

445
00:34:55.440 --> 00:34:58.320
man you saw waiting for the train at Santa Maria

446
00:34:58.440 --> 00:35:03.800
Novella station every Tuesday morning. Gino is still on the

447
00:35:03.880 --> 00:35:08.880
Prorazzal packaging today. Now around the same time, the Martellis

448
00:35:08.920 --> 00:35:13.679
introduced something else that revealed exactly who they were as

449
00:35:13.719 --> 00:35:19.199
a company. Three product lines, each one designed for a

450
00:35:19.280 --> 00:35:25.519
different kind of skin and a different kind of beard. Green, white, red,

451
00:35:26.519 --> 00:35:31.840
the colors of the Italian flag. This wasn't a marketing floorist.

452
00:35:31.960 --> 00:35:36.079
This was a quiet declaration of identity. We are not

453
00:35:36.199 --> 00:35:40.039
a French brand pretending to be Italian. We are not

454
00:35:40.119 --> 00:35:45.679
a German brand pretending to be Italian. We are Italian.

455
00:35:46.800 --> 00:35:51.880
Made in Florence, carried by the Italian network. Ludovico spent

456
00:35:51.960 --> 00:35:58.880
twenty years building used by Italian barbers who worship Italian craft.

457
00:36:00.159 --> 00:36:04.000
The flag colors weren't on the box for marketing. They

458
00:36:04.000 --> 00:36:08.159
were on the box because they belonged there. You wrap

459
00:36:08.239 --> 00:36:11.239
yourself in your own flag when you actually mean it.

460
00:36:15.000 --> 00:36:20.199
The grandson who bore the name. Nineteen sixty eight, Italy

461
00:36:20.360 --> 00:36:24.920
is in upheaval, students in the streets and workers on strike,

462
00:36:25.639 --> 00:36:29.760
the whole continent shivering with the political tremors of that famous,

463
00:36:29.840 --> 00:36:34.440
famous year. In Florence, on a quieter street, a quieter

464
00:36:35.039 --> 00:36:41.559
handover takes place. Piero Martelli, the son who built Prorazzo,

465
00:36:42.000 --> 00:36:47.320
the man who invented the Krima Miraclassa, the man who

466
00:36:47.360 --> 00:36:50.599
took his father's distribution empire and turned it into a

467
00:36:50.639 --> 00:36:52.760
manufacturing one.

468
00:36:52.960 --> 00:36:54.960
He simply steps back.

469
00:36:55.880 --> 00:36:59.639
He hands the company to his son, his son, who

470
00:36:59.679 --> 00:37:04.760
is twenty four years old and whose name is Ludovico

471
00:37:05.679 --> 00:37:10.800
Ludovicho Martelli, the second named for the grandfather who started

472
00:37:10.920 --> 00:37:17.639
everything in that small Florentine workshop sixty years ago, the

473
00:37:17.679 --> 00:37:20.679
same name, on the same building, above the same door,

474
00:37:21.880 --> 00:37:26.320
three generations, sixty years.

475
00:37:25.679 --> 00:37:26.440
One family.

476
00:37:27.760 --> 00:37:31.519
Ludovico, the grandson is twenty four, almost exactly the age

477
00:37:31.599 --> 00:37:35.519
his great namesake had been when he opened the workshop

478
00:37:35.559 --> 00:37:40.000
in nineteen o eight, almost exactly the age his father

479
00:37:40.199 --> 00:37:44.480
Piero had been when the family launched Rebellia in the

480
00:37:44.519 --> 00:37:45.360
early thirties.

481
00:37:46.239 --> 00:37:48.880
See there's a pattern in this family.

482
00:37:49.880 --> 00:37:53.000
Twenty four seems to be the age at which the

483
00:37:53.039 --> 00:37:59.719
next generation finally get the keys. Ludovico, the grandson, grows

484
00:37:59.800 --> 00:38:04.119
the company, but grows it carefully. He doesn't tear up

485
00:38:04.159 --> 00:38:10.079
his father's formulas. He doesn't repackage gino, he doesn't replace

486
00:38:10.159 --> 00:38:16.360
eucalyptus with synthetic mint. He consolidates, and he extends, and

487
00:38:16.400 --> 00:38:21.360
then he guards. When the Italian retail market shifts in

488
00:38:21.400 --> 00:38:25.519
the seventies and eighties, when the great multinational brands like

489
00:38:26.280 --> 00:38:30.400
Loreal and Unilever and Procter and Gamble pour into Italy

490
00:38:30.480 --> 00:38:35.119
with their massive advertising budgets and their global supply chains,

491
00:38:35.960 --> 00:38:40.679
Parrazzo doesn't even flinch. The customer base is too loyal,

492
00:38:41.280 --> 00:38:45.480
The barbers are too loyal, the brand is too rooted.

493
00:38:46.239 --> 00:38:49.760
Parozzo doesn't compete with the giants by becoming a giant.

494
00:38:50.519 --> 00:38:53.920
It competes by being something that they can just simply

495
00:38:53.960 --> 00:39:00.320
never be. A Florentine workshop run by a family, a

496
00:39:00.360 --> 00:39:03.760
family whose grandfather used to pour cream into glass jars

497
00:39:03.800 --> 00:39:07.920
by hand on the same bench in nineteen forty eight.

498
00:39:09.400 --> 00:39:14.800
In nineteen ninety, Ludovico moves the headquarters to Fiassau, a

499
00:39:14.880 --> 00:39:18.880
small hilltop town just outside Florence with views over the

500
00:39:18.920 --> 00:39:22.920
whole Arnold Valley. The bench moves, and the bottles move,

501
00:39:22.960 --> 00:39:26.199
and the formula moves, but the spirit doesn't.

502
00:39:27.119 --> 00:39:28.199
The spirit is.

503
00:39:28.239 --> 00:39:32.239
Still on that nineteen oh eight wooden workbench, with a

504
00:39:32.280 --> 00:39:35.840
young Florentine man rolling up his sleeves and reaching for

505
00:39:35.960 --> 00:39:44.000
a glass beaker, the fourth generation. Today the company is

506
00:39:44.079 --> 00:39:49.440
run by the fourth generation. Stefania Martelli, a great granddaughter

507
00:39:49.480 --> 00:39:54.480
of the founder, now sits as chair and president. Her

508
00:39:54.519 --> 00:39:59.039
father is Ludovico the Second, the grandson her great grandfather,

509
00:39:59.360 --> 00:40:02.559
Ludovico the First started the workshop in nineteen oh eight.

510
00:40:03.559 --> 00:40:08.360
That's a single line of one Italian family stewarding the

511
00:40:08.400 --> 00:40:15.559
same enterprise across one hundred and seventeen years. One hundred

512
00:40:15.599 --> 00:40:22.760
and seventeen years, through two World wars, through fascism, through

513
00:40:22.960 --> 00:40:28.960
the partisan resistance, through the bombing of Florence's bridges, through

514
00:40:29.039 --> 00:40:35.280
the Marshall Plan reconstruction, through the Italian economic miracle, through

515
00:40:35.320 --> 00:40:40.719
the rise and dominance of the multinational giants, through the

516
00:40:40.800 --> 00:40:45.000
digital revolution, through the fall of European borders and the

517
00:40:45.119 --> 00:40:50.960
rise of global e commerce, through every imaginable shift in

518
00:40:51.039 --> 00:40:56.840
how products are made, sold and consumed, and this small

519
00:40:56.960 --> 00:40:59.960
jar of pale green kareem is still on the bench.

520
00:41:01.039 --> 00:41:07.000
Stefania has expanded, but carefully. The company today owns thirteen brands,

521
00:41:07.039 --> 00:41:11.760
including Marvis, the Italian toothpaste with almost a cult following,

522
00:41:12.599 --> 00:41:17.039
and Velabra, the historic genuine soap brand that was founded

523
00:41:17.079 --> 00:41:22.840
in nineteen oh three, and Floyd, the iconic Italian aftershave.

524
00:41:23.920 --> 00:41:29.599
But Corazza remains the heart. The eucalyptus and mental formula,

525
00:41:30.199 --> 00:41:35.119
with minor, very minor refinements over the decades, is still

526
00:41:35.400 --> 00:41:40.519
essentially the same cream Piero perfected in the postwar Florentine

527
00:41:40.559 --> 00:41:45.599
laboratory in nineteen forty eight. The barbers are still their priority.

528
00:41:46.559 --> 00:41:50.480
Stefania says it openly. The barbershops are our training ground.

529
00:41:51.039 --> 00:41:55.800
We listen to the barbers, we discuss with the barbers,

530
00:41:56.320 --> 00:42:00.719
we make what helps them do their work better. The

531
00:42:00.840 --> 00:42:04.599
covenant from nineteen forty eight still holds true in twenty

532
00:42:04.639 --> 00:42:13.159
twenty six. That's not a marketing position, that's simply proroso discipline.

533
00:42:15.119 --> 00:42:20.119
The discipline beneath the brand. So here's the reframe. Most

534
00:42:20.199 --> 00:42:25.199
people think Pirozzo sells cream. Most people think Pirozzo sells

535
00:42:25.239 --> 00:42:28.440
a tube of pale green paste with eucalyptus and mental

536
00:42:29.519 --> 00:42:34.360
But that's the surface. That's really not the product. The

537
00:42:34.400 --> 00:42:37.440
product is what happens when a barber warms a small

538
00:42:37.519 --> 00:42:40.199
dab of that cream between his hands and applies it

539
00:42:40.239 --> 00:42:43.559
to the face of a tired man at the end

540
00:42:43.559 --> 00:42:48.280
of a long week. The exhale and the drop of

541
00:42:48.320 --> 00:42:54.559
the shoulders, the brief, almost imperceptible easing of a man

542
00:42:54.599 --> 00:42:58.320
who has been carrying something all week and gets to

543
00:42:58.360 --> 00:43:00.000
set it down for a couple of minutes.

544
00:43:00.039 --> 00:43:03.400
It's in a leather chair while a professional takes care

545
00:43:03.440 --> 00:43:06.440
of them. That's the product. The feeling.

546
00:43:07.159 --> 00:43:11.960
The cream is just the delivery system. Modern brands today

547
00:43:12.039 --> 00:43:17.320
forget this. They optimize the delivery system. They tweak the packaging,

548
00:43:17.400 --> 00:43:24.079
They reformulate for shelf differentiation. They chase the trends, and

549
00:43:24.159 --> 00:43:29.000
the Martellis didn't. The Martellis remembered that the product was

550
00:43:29.519 --> 00:43:34.559
the exhale. You can't optimize the exhale by tweaking the packaging.

551
00:43:35.679 --> 00:43:39.400
You can only optimize it by making the cream so trustworthy,

552
00:43:39.559 --> 00:43:46.039
so consistent, so reliable and present that it disappears into

553
00:43:46.079 --> 00:43:52.400
the ritual. That's what Ludovico Martelli understood, That's what his

554
00:43:52.559 --> 00:43:58.320
son refined, That's what his grandson protected, and that's what

555
00:43:58.440 --> 00:44:02.760
his great granddaughters still guard. It's a jar of cream

556
00:44:02.840 --> 00:44:06.199
that has earned the right to disappear into a man's mourning.

557
00:44:07.440 --> 00:44:10.000
There aren't many products in the world that have even

558
00:44:10.079 --> 00:44:14.400
came close to earning that. There's a reason that this

559
00:44:14.480 --> 00:44:22.000
one has lasted for four generations because the discipline isn't sexy.

560
00:44:22.119 --> 00:44:25.199
The discipline is showing up the same way every day

561
00:44:25.360 --> 00:44:26.119
for over.

562
00:44:25.920 --> 00:44:26.719
One hundred years.

563
00:44:27.840 --> 00:44:30.800
The discipline is refusing to chase the trend that would

564
00:44:30.800 --> 00:44:35.800
dilute the trust. The discipline is keeping the eucalyptus where

565
00:44:35.800 --> 00:44:39.800
it belongs, even when the synthetic substitute would save you

566
00:44:39.880 --> 00:44:45.760
fifteen percent of costs. The difference is the discipline keeping

567
00:44:45.960 --> 00:44:49.199
Gino on the package, even when marketing consultants tell you

568
00:44:49.519 --> 00:44:53.880
how Geno is dated. The discipline is staying in Florence,

569
00:44:54.320 --> 00:44:59.039
staying in Fioso, staying in the same bench driven family rhythm,

570
00:44:59.679 --> 00:45:03.400
even when consolidation specialists offer to buy you out and

571
00:45:03.480 --> 00:45:06.639
move you to Milan, or Geneva or even New York.

572
00:45:08.079 --> 00:45:13.880
The Martellis kept the discipline four generations. It wasn't built

573
00:45:13.920 --> 00:45:16.679
for the market. It was built for the man in

574
00:45:16.719 --> 00:45:24.159
the chair. Now the rest of the story. Step back,

575
00:45:25.360 --> 00:45:30.840
Picture it again. The small workshop in Florence, nineteen o eight.

576
00:45:32.000 --> 00:45:36.320
A young man named Ludovico Martelli, rolling up his sleeves

577
00:45:36.320 --> 00:45:41.400
at a wooden bench, Glass bottles of imported perfumery lined

578
00:45:41.480 --> 00:45:45.679
up behind him, a door that opens to a cobblestone street.

579
00:45:47.360 --> 00:45:51.159
He doesn't know. He doesn't know that the network he

580
00:45:51.239 --> 00:45:54.559
is about to spend twenty years building will become the

581
00:45:54.599 --> 00:45:59.599
soil his son's invention takes root in forty years from now.

582
00:46:00.159 --> 00:46:03.280
He doesn't know that his son Piero will create a

583
00:46:03.320 --> 00:46:07.039
pale green pre shaped cream in nineteen forty eight, and

584
00:46:07.079 --> 00:46:11.239
that the Italian press will call it a miracle. He

585
00:46:11.280 --> 00:46:15.360
doesn't know that his grandson named for him, will inherit

586
00:46:15.440 --> 00:46:18.079
the company at twenty four and stored it through the

587
00:46:18.199 --> 00:46:24.039
rise of the multinationals. He doesn't know that his great

588
00:46:24.079 --> 00:46:27.679
granddaughter will sit one day as the chair and president

589
00:46:27.800 --> 00:46:33.079
of a thirteen brand Italian beauty company headquartered in Fiasol

590
00:46:33.159 --> 00:46:37.639
in the hills above the Arno. He doesn't know that,

591
00:46:37.800 --> 00:46:40.760
more than one hundred years after he opened his door,

592
00:46:41.320 --> 00:46:45.639
his name will still be above another door, on another building,

593
00:46:46.239 --> 00:46:49.519
where men and women in white coats still pour cream

594
00:46:50.320 --> 00:46:54.519
into jars. He doesn't know that a barber and Tokyo

595
00:46:54.599 --> 00:46:57.679
will warm a small dab of that cream between his

596
00:46:57.800 --> 00:47:03.880
hands tomorrow morning, that a Buenos Aires will do the same,

597
00:47:04.840 --> 00:47:08.079
that a barber in Brooklyn will do the same, that

598
00:47:08.199 --> 00:47:13.559
a barber in Berlin will do the same, that somewhere

599
00:47:13.559 --> 00:47:17.840
in the world, every second of every day, a customer

600
00:47:17.880 --> 00:47:21.880
will exhale into a chair as the eucalyptus and mental

601
00:47:22.000 --> 00:47:26.599
settle on his skin. And the man that's causing that axhale,

602
00:47:27.239 --> 00:47:32.000
though he died generations ago, was an Italian man named

603
00:47:32.280 --> 00:47:37.000
Ludovico Martelli, who decided in nineteen oh eight that the

604
00:47:37.039 --> 00:47:42.199
world deserved a better small jar of cream. And this

605
00:47:42.360 --> 00:47:47.239
is what most people don't understand about these empires. They

606
00:47:47.280 --> 00:47:52.000
picture the loud ones, the disruptors and the revolutionaries, the

607
00:47:52.000 --> 00:47:55.440
men who burst into a market and somehow break it.

608
00:47:57.800 --> 00:48:01.000
But the longest lasting empires are never built like that.

609
00:48:02.159 --> 00:48:06.920
The longest lasting empires are built quietly by men who

610
00:48:07.000 --> 00:48:10.519
aren't trying to change the world, by men who are

611
00:48:10.559 --> 00:48:13.480
trying to perfect a thing that the world just seems

612
00:48:13.519 --> 00:48:19.159
to rush through. A Florentine workshop didn't produce a revolution.

613
00:48:20.079 --> 00:48:24.360
It simply produced a standard, the way of doing something

614
00:48:24.559 --> 00:48:31.000
ordinary and extraordinarily well. The shaving market today is worth

615
00:48:31.159 --> 00:48:37.079
tens of billions of dollars. Multi national corporation spends hundreds

616
00:48:37.119 --> 00:48:40.480
of millions of dollars a year fighting just for shelf space.

617
00:48:41.480 --> 00:48:47.599
New brands launched every month and disappear by the next Christmas.

618
00:48:47.639 --> 00:48:50.800
And on a small bench in Fio Soul, just outside

619
00:48:50.840 --> 00:48:56.559
of Florence, a pale green cream still cools, still gets

620
00:48:56.639 --> 00:49:02.599
poured into small jars, still gets shipped two barbershops, still

621
00:49:02.679 --> 00:49:07.840
gets warmed between the two hands, still meets a man's

622
00:49:07.840 --> 00:49:11.719
face at the end of a long work week, and

623
00:49:11.760 --> 00:49:16.800
it still draws the exhale the same gesture, same cream,

624
00:49:17.800 --> 00:49:20.400
different hands, over.

625
00:49:20.199 --> 00:49:21.320
A century later.

626
00:49:23.119 --> 00:49:27.360
If you've got something quiet that you've been refining, don't

627
00:49:27.400 --> 00:49:32.320
underestimate it, don't move past it, don't trade it for

628
00:49:32.440 --> 00:49:36.400
something louder just because the market seems to reward louder.

629
00:49:37.400 --> 00:49:40.920
Refine it and stand by it. Let the right people

630
00:49:40.960 --> 00:49:47.039
find it, build the network, earn the gatekeeper, trust the

631
00:49:47.119 --> 00:49:51.800
slow burn. Because somewhere in Florence, a man did exactly that.

632
00:49:52.639 --> 00:49:56.840
He built an empire by being consistent. He built an

633
00:49:56.840 --> 00:50:01.599
empire by understanding something that most people overlook. The smallest

634
00:50:01.599 --> 00:50:05.760
improvements in the most common routines quietly shaped the world.

635
00:50:07.320 --> 00:50:11.760
My name is mister Hanson, and now you know the

636
00:50:11.800 --> 00:50:17.559
rest of the story. Thank you for being here, Thank

637
00:50:17.599 --> 00:50:20.360
you for listening to this. I wanted to do this

638
00:50:20.440 --> 00:50:24.280
because I personally have used Pirazzo for going on a

639
00:50:24.320 --> 00:50:27.000
year now. I will never ever get out of it.

640
00:50:27.360 --> 00:50:30.840
I absolutely love the stuff, and I love hearing the

641
00:50:30.960 --> 00:50:34.239
underdog and these stories that we don't hear from other places.

642
00:50:34.280 --> 00:50:37.000
If you'd like to hear more stories like this, go

643
00:50:37.199 --> 00:50:42.599
to mister hansonpodcast dot com. That's mister hansonpodcast dot com,

644
00:50:42.719 --> 00:50:45.039
or subscribe to where you like to.

645
00:50:45.000 --> 00:51:05.159
Listen to most. Until next time, m.

646
00:51:05.360 --> 00:51:14.280
M Mister Hanson got the mic tonight said, come closer.

647
00:51:14.320 --> 00:51:20.960
I got a tale of Ludovic's your Martelli hand of

648
00:51:21.159 --> 00:51:26.519
business that would not fail. Born in a room with

649
00:51:26.760 --> 00:51:32.360
rough brick walls, in a barber's bowl of phone, he

650
00:51:32.519 --> 00:51:38.280
learned to mix that honest cream, like he was carving bone,

651
00:51:40.480 --> 00:51:48.400
one hand on a raisor one high on fire. Italy

652
00:51:48.719 --> 00:51:50.239
was shaken.

653
00:51:50.599 --> 00:51:59.880
By blinne, timed higher for generations, Still roll long for generations,

654
00:52:00.119 --> 00:52:04.199
and still long fro smoke.

655
00:52:03.880 --> 00:52:11.360
And broken down for generation. Still long, prassle having the

656
00:52:11.519 --> 00:52:18.880
old green tin, prascle, Let the story begin, prassle in

657
00:52:19.039 --> 00:52:29.039
the old greenchin, pssle, Let the story begin. He started

658
00:52:29.159 --> 00:52:34.639
with a stubborn dreams and a table full of tins.

659
00:52:35.719 --> 00:52:40.719
Then boots marched past the window glass, and the hardies

660
00:52:40.960 --> 00:52:47.159
gave them. But the sun's capt'n mixing daylight in the

661
00:52:47.320 --> 00:52:54.360
same old family room, while grandsons learned the secret shape

662
00:52:54.440 --> 00:53:00.960
of ladder, the spoon bread was sin and in winter

663
00:53:03.039 --> 00:53:04.800
shadows on the street.

664
00:53:06.360 --> 00:53:15.639
Still that little green promise get It's steady for generations,

665
00:53:15.719 --> 00:53:22.119
Still roll along for generations, Still long to war and

666
00:53:22.320 --> 00:53:30.559
stogain broken dawn for generation, still long, passal in the

667
00:53:30.719 --> 00:53:31.960
old green.

668
00:53:31.840 --> 00:53:38.800
Tin borssle, Let the story begin, porsso, in the old

669
00:53:38.960 --> 00:53:43.119
green tin borsso, let the story begin.

670
00:53:47.440 --> 00:53:55.239
Mister Hanson said, listen, my name can outlive pain. If

671
00:53:55.239 --> 00:54:00.480
you keep the same good hands. It comes back clean

672
00:54:02.239 --> 00:54:07.559
from Ludovic shows old first spot to the boys.

673
00:54:07.239 --> 00:54:08.440
Who carried on.

674
00:54:10.360 --> 00:54:14.480
The river kept its green, green course, and the hard

675
00:54:14.760 --> 00:54:27.280
days moved alone for generation still, for generation still, through

676
00:54:28.400 --> 00:54:36.679
smoke and broken dumb, for generation stad brassle and the

677
00:54:36.800 --> 00:54:44.239
old green tin brassle. Let the story begin, prasso in

678
00:54:44.440 --> 00:54:46.800
the old green tin brassle.

679
00:54:47.719 --> 00:54:50.599
Let the story begins for itself.

680
00:54:52.000 --> 00:54:57.760
Let history breathe in the palm of your hand. Mister

681
00:54:57.960 --> 00:55:05.800
Hansom told that mid not truth about one small brave clan,

682
00:55:12.079 --> 00:55:13.360
still a long